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This is a troubling story of crime, sin, guilt, punishment and expiation, set in the rigid moral climate of 17th-century New England. The young mother of an illegitimate child confronts her Puritan judges. However, it is not so much her harsh sentence, but the cruelties of slowly exposed guilt as her lover is revealed, that hold the reader enthralled all the way to the book’s poignant climax.
Once again Mr Sherlock Holmes is free to devote his life to examining those interesting little problems which the complex life of London so plentifully presents.’ Evil masterminds beware! Sherlock Holmes is back! Ten years after his supposed death in the swirling torrent of the Reichenbach Falls locked in the arms of his arch enemy Professor Moriarty, Arthur Conan Doyle agreed to pen further adventures featuring his brilliant detective. In the first story, ‘The Empty House’, Holmes returns to Baker Street and his good friend Watson, explaining how he escaped from his watery grave. In creating this collection of tales, Doyle had lost none of his cunning or panache, providing Holmes with a sparkling set of mysteries to solve and a challenging set of adversaries to defeat.
The potent mixture includes murder, abduction, baffling cryptograms and robbery. We are also introduced to the one of the cruellest villains in the Holmes canon, the despicable Charles Augustus Milverton. As before, Watson is the superb narrator and the magic remains unchanged and undimmed.
The Ragged Trousered Philanthropists is a classic representation of the impoverished and politically powerless underclass of British society in Edwardian England, ruthlessly exploited by the institutionalized corruption of their employers and the civic and religious authorities.
A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce’s Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.
Oscar Wilde took London by storm with his first comedy, Lady Windermere’s Fan. The combination of dazzling wit, subtle social criticism, sumptuous settings and the theme of a guilty secret proved a winner, both here and in his next three plays, A Woman of No Importance, An Ideal Husband, and his undisputed masterpiece, The Importance of Being Earnest. This volume includes all Wilde’s plays from his early tragedy Vera to the controversial Salome and the little known fragments, La Sainte Courtisane and A Florentine Tragedy.
The edition affords a rare chance to see Wilde’s best known work in the context of his entire dramatic output, and to appreciate plays which have hitherto received scant critical attention.
Wilde’s only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in ‘art for art’s sake’, to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment.
Its words returned to haunt him in his court appearances in 1895, and he later recalled the ‘note of doom’ which runs like ‘a purple thread’ through its carefully crafted prose.
What does persuasion mean – a firm belief, or the action of persuading someone to think something else? Anne Elliot is one of Austen’s quietest heroines, but also one of the strongest and the most open to change. She lives at the time of the Napoleonic wars, a time of accident, adventure, the making of new fortunes and alliances. A woman of no importance, she manoeuvres in her restricted circumstances as her long-time love Captain Wentworth did in the wars.
Even though she is nearly thirty, well past the sell-by bloom of youth, Austen makes her win out for herself and for others like herself, in a regenerated society.
Desdemona’s love for Othello, the Moor, transcends racial prejudice; but the envious Iago conspires to devastate their lives. This novel renders racism, sexism, contested identities, and the savagery lurking within civilisation.
Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes – grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity.
Oliver Twist features some of the author’s most enduring characters, such as Oliver himself who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and ‘the Artful Dodger’. For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.
Homer’s great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colourful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago. This poem has been translated many times over the years, but Chapman’s sinewy, gorgeous rendering (1616) stands in a class of its own.
Chapman believed himself inspired by the spirit of Homer himself, and matches the breadth and power of the original with a complex and stunning idiom of his own. John Keats expressed his admiration for the resulting work in the famous sonnet, ‘On first looking into Chapman’s Homer’: ‘Much have I travelled in the realms of gold…’
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her. In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe.
Catherine’s reading becomes intertwined with her social and romantic adventures, adding to the uncertainties and embarrassments she must undergo before finding happiness.
Much Ado About Nothing has long been celebrated as one of Shakespeare’s most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen.
The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character.
Virginia Woolf’s singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists.
Clarissa’s life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.
Moby Dick is the story of Captain Ahab’s quest to avenge the whale that ‘reaped’ his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy.
Bent as the crew is on Ahab’s appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel’s narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing.
The Wordsworth Classics’ Shakespeare Series, with Romeo and Juliet, Henry V and The Merchant of Venice as its inaugural volumes, presents a newly-edited sequence of William Shakespeare’s works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Its lyricism, comedy (both broad and subtle) and magical transformations have long made A Midsummer Night’s Dream one of the most popular of Shakespeare’s works.
The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. ‘Lord, what fools these mortals be!’, jeers Robin Goodfellow; but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania.
Recent stage-productions of A Midsummer Night’s Dream have emphasised the enchanting, spectacular, ambiguous and erotically joyous aspects of this magical drama which culminates in a multiple celebration of marriage.
Features one of Shakespeare’s most popular comedies, but it remains deeply controversial. Here, the text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre.