Said the Dead
€16.95One passerby has always flinched as she passes the place. Had she lived in another time, she too might have found herself held within those walls. Now, she notices a sign: FOR SALE.
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One passerby has always flinched as she passes the place. Had she lived in another time, she too might have found herself held within those walls. Now, she notices a sign: FOR SALE.

A spellbinding story of separation, longing, recovery and survival as a family makes a new home in the aftermath of tragedy.
‘A heart-bursting story of resilience and love’ Louise Kennedy
‘Haunting and elemental’ Ferdia Lennon
‘Darkly magical. A brilliant and powerful novel’ Alice Winn
‘This beautiful book swallowed me whole’ Charlotte McConaghy
‘A work of towering imagination and empathy’ Roisin O’Donnell
‘As visceral as a novel can get’ Yael van der Wouden




#1 SUNDAY TIMES BESTSELLER · #1 NEW YORK TIMES BESTSELLER‘One day you’ll look back and realise how hard it was, and just how well you did’Charlie Mackesy’s four unlikely friends are wandering through the wilds again. They’re not sure what they are looking for. They do know that life can be difficult, but that they love each other, and cake is often the answer.
When the dark clouds come, can the boy remember what he needs to get through the storm?The hugely anticipated new book from Charlie Mackesy, revisiting the much-loved world of The Boy, the Mole, the Fox and the Horse – the bestselling adult non-fiction book of all time, with over ten million readers around the world.

A Times Literary Supplement , Telegraph and Financial Times Best Book of 2025’The glorious gathering-in of his achievement that is The Poems of Seamus Heaney, edited with meticulous care and luminous clarity. . .
allows us for the first time to see his dozen formal collections as only the most visible peaks in a constantly rolling range of creativity.’ Fintan O’Toole, Observer’This book is a landmark. [and] lets us see Heaney’s work, whose ripples we are still learning to navigate, for the colossal achievement it is, and it reminds us that Heaney is not only a keeper but an enricher of the word-hoard.’ Philip Terry, GuardianThis is the long-awaited, definitive edition of Seamus Heaney’s poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from Death of a Naturalist (1966) to Human Chain (2010), and those poems published in pamphlets, journals and magazines or with limited circulation.
In addition, the book includes a selection of unpublished material chosen by the poet’s family. It is a body of work that, in its entirety, resounds with the ‘lyrical beauty and ethical depth’ cited by the Nobel committee: poems ‘which exalt everyday miracles and the living past.’Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaney’s work. ‘Heaney’s voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.’ Helen Vendler’More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.’ John Carey’His is “closeup” poetry – close up to thought, to the world, to the emotions.

Sligo offers a unique setting for a study of the Great Famine and the book investigates the period from the first appearance of the blight to the immediate aftermath. The shifting, inept and often heartless government policies reflected different attitudes to famine relief and this impacted on the people in a very direct and often catastrophic way.
Sligo experienced considerable death and emigration in the years from 1845 to 1852; the second worst affected county in the country after Mayo, losing a third of its population in just a few short years. The reaction of local landlords and landholders to the suffering was also varied and the study explored the lengths to which the Famine offered an opportunity to some landlords to impose long-term policies on their estates.
Padraig Deignan has previously published ‘The Protestant Community in Sligo, 1914-49’ in 2010, ‘Land and People in Nineteenth Century Sligo: from Union to Local Government’ in 2015 and ‘Sligo in the Eighteenth Century’ in 2021.

**NB: This title will only be shipped after its release date of 18th September**
For fans of Sally Rooney and Megan Nolan comes a remarkable new Irish debut about growing up and moving backwards.
What do you do when you’ve ruined your life? You go home to your mother, if you’re lucky enough still to have one. Saoirse Maher wouldn’t recommend it. Leaving home wasn’t supposed to be temporary. When she moved to London, Saoirse was leaving Ireland behind for good, and with it her messy, broken family.
But it turns out that starting again isn’t as easy as she imagined, and when her five-year relationship goes south, Saoirse finds herself out of options. And so here she is, trudging back to her mother Máire’s house up a side road on the outskirts of Irish civilisation. Except the world she comes back to is nothing like the one she left behind. Her mother has a new family, and everyone else seems to be moving on.
But between the drinking, drugs, and an entirely healthy, not-problematic-at-all-thanks relationship with Charlie, there’s plenty to distract her. Don’t look too closely, and everything’s fine. Saoirse is just fine.


A FINANCIAL TIMES BEST DEBUT OF 2025
Mairead works all hours in a run-down West End theatre’s wardrobe department, her whole existence made up of threads and needles, running errands to mend shoes, fixing broken zips and handwashing underwear. She must also do her best to avoid groping hands backstage and the terrible bullying of the show’s producer.
But, despite her skill and growing experience, half of Mairead remains in her windy, hedge-filled home in Ireland, and the life she abandoned there. In noughties London, she has the potential to be somebody completely new – why, then, does she feel so stuck? Between the bustling side streets of Soho, and the wet grass of Leitrim and Donegal, Mairead is caught, running from the girl she was but unable to reveal the woman she’d hoped to become.
Told with rare honesty and equal measures of warmth and bite, The Wardrobe Department is a story about reckoning with the past, finding the courage to change the present – and asking what comes next.

Manchán Magan is fascinated by words, particularly Irish words, and their connections to the natural world. Having enjoyed great success with the bestselling Tree Dogs, Banshee Fingers and Other Irish Words for Nature, he now brings his infectious wonder and enthusiasm for the Irish language to an even younger audience with this board book featuring simple translations for favourite animals, birds, fish and insects. The accompanying stunning black-line illustrations will transfix even the littlest reader.
Teach your little one a cúpla focail from the get-go.



Dancer Edwina Guckian celebrates the folk traditions and calendar customs of the Ireland in which she grew up in rural County Leitrim.
As a child Edwina’s Grandfather brought her to House Dances where he played the fiddle and she watched dancers in hobnail boots ‘knock sparks from the flagstones’ on traditional cottage stone floors. Half-doors were taken down from their hinges to dance on when the floors were rough or uneven.
Edwina too became ‘a great one for knocking sparks’ from the flagstones with her own dancing. Here she brings to life for readers of all ages the lovely colourful customs, fun and enchantments of her childhood. Dressing up for Halloween, Wren Day and Brigid’s Day, going to communal bonfires at the crossroads, remembering the harvest ‘meitheal’ and hilltop berry picking on Bilberry Sunday.
Edwina vividly brings to life a world of Strawboys, Mummers and Biddy Boys, Crossroads Dances, Cake Dances, Nollaig na mBan feasts, Easter treats and many more year round Irish folk traditions.
Join Edwina as she dances through the Celtic Calendar Year and the importance of ancient Quarter Day customs and old-world Fire Festival traditions at Samhain, Imbolc, Bealtaine and Lughnasa. Every page of Sparks from the Flagstones is joyfully illustrated by Connemara-based artist Andrea Rossi.

THE TOP FIVE SUNDAY TIMES BESTSELLER
This is the story of one lost poem, two great rivers, and three remarkable lives – all connected by a single drop of water.
*****
In the ruins of Nineveh, that ancient city of Mesopotamia, there lies hidden in the sand fragments of a long-forgotten poem, the Epic of Gilgamesh.
In Victorian London, an extraordinary child is born at the edge of the dirt-black Thames. When his brilliant memory earns him a spot as an apprentice at a printing press, the world opens up far beyond the slums and across the seas.
In 2014 Turkey, Narin, a Yazidi girl living by the River Tigris, waits to be baptised. The ceremony is cruelly interrupted, and soon she and her grandmother must journey across war-torn lands in the hope of reaching the sacred valley of their people.
In 2018 London, broken-hearted Zaleekhah, a hydrologist, moves to a houseboat on the Thames to escape the wreckage of her marriage – until an unexpected connection to her homeland changes everything.