JANE EYRE
€5.00BRONTE, CHARLOTTE
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Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity.
Ernest and Hadley’s marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest’s ferocious literary endeavours begin to bring him recognition – not least from a woman intent on making him her own.




Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry’s eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. The magic starts here!These editions of the classic and internationally bestselling Harry Potter series feature thrilling jacket artwork by award-winning illustrator Jonny Duddle.

‘A brilliant idea for a book’ and a ‘must-have’ Nigella Lawson.
‘Edd Kimber’s One Tin Bakes is a dazzler of a baking book, using one simple tin to make utterly enviable cakes, gorgeous pies, flavour-loaded buns and bars that’ll have you swooping in for seconds. Edd’s photography and easy style captures in each recipe a beautiful immediacy and freshness that made me linger on every page without exception.’ Dan Lepard.
‘Whether you want cookies or cakes, pastries or desserts, something fruity, chocolatey, spiced or nutty, baking just got a whole lot easier. From Praline Meringue Cake to Matcha Roll Cake, Peanut Butter Brookies to Tahini Babka Buns, all you need is just one standard 9 x 13in baking tin. Varied and versatile, requiring minimal skill and little equipment, Edd Kimber’s delicious treats range from simple bakes to slice and serve to impressive but achievable showstoppers.
‘A terrifically clever idea – one tin, seventy bakes: From fabulous cakes, cookies and bars to perfect pies and tarts. The recipes are accessible and gorgeous – Edd really knows how to entice – but more importantly, he gives clear instructions for successful bakes. A must-have in your kitchen!’ Helen Goh.
‘This book is a peek inside the mind of one of my favorite bakers, where creativity with butter and sugar is paired with solid technique and downright fun. Edd shares a true world of possibilities – all within a 9×13 tin. This book is an absolute must-have for every home baker.’ Joy Wilson
‘I’ve been a fan of Edd’s since he won the bake off, not only because of his recipes but because of his character. There are no gimmicks and his passion and energy are contagious. Most of all, he makes me want to bake his recipes. This book is accessible yet elegantly photographed and you always feel like he is speaking directly to you, which is special. Of course, being American, I love a sheet cake and the generosity in these recipes makes me want to go to a picnic or a potluck.’ Claire Ptak
‘Baking requires skill and perfection and Edd’s got it’ Mary Berry
‘Edd Kimber brings baking back into British homes’ Vogue

The Irish language has thirty-two words for field. Among them are: Geamhar – a field of corn-grass; Tuar – a field for cattle at night; Reidhlean – a field for games or dancing; Cathairin – a field with a fairy-dwelling in it. The richness of a language closely tied to the natural landscape offered our ancestors a more magical way of seeing the world. Before we cast old words aside, let us consider the sublime beauty and profound oddness of the ancient tongue that has been spoken on this island for almost 3,000 years. In Thirty-Two Words for Field, Manchan Magan meditates on these words – and the nuances of a way of life that is disappearing with them.

Seamus Heaney had the idea to form a personal selection of poems from across the entire arc of his writing life, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, and no other edition exists which has such a broad range, drawing from first to last of his prize-winning collections. But now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family.
In 100 Poems, readers will enjoy the most loved and celebrated poems, as well as discovering new favourites. It is a singular and welcoming anthology, reaching out far and wide, now and for years to come.

WINNER OF THE MAN BOOKER PRIZE 2018 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2019 SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2019 SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2019 ‘Blazing.’ Daily Telegraph ‘Outstanding.’ New Statesman ‘A triumph.’ Guardian ‘Utterly compelling.’ The Irish Times ‘The best Booker winner in years.’ Metro
In an unnamed city, where to be interesting is dangerous, an eighteen-year-old woman has attracted the unwanted and unavoidable attention of a powerful and frightening older man, ‘Milkman’. In this community, where suggestions quickly become fact, where gossip and hearsay can lead to terrible consequences, what can she do to stop a rumour once it has started? Milkman is persistent, the word is spreading, and she is no longer in control …

A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. This extraordinary debut, full of unexpected humour and emotional truth, marks the arrival of a thrilling and significant new talent.

When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind.
Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane, and by the threat of eviction: dogs are prohibited in her apartment building. Isolated from the rest of the world, increasingly obsessed with the dog’s care, determined to read its mind and fathom its heart, she comes dangerously close to unravelling. But while troubles abound, rich and surprising rewards lie in store for both of them.
A moving story of love, friendship, grief, healing, and the magical bond between a woman and her dog.
SHORTLISTED FOR THE 2020 INTERNATIONAL DUBLIN LITERARY AWARD
‘Very, very clever. Mature. Entertaining. Eminently readable and re-readable. Absolutely delightful‘ IRISH TIMES
‘Loved this. A funny, moving examination of love, grief, and the uniqueness of dogs‘ GRAHAM NORTON

ONE OF THE WORLD’S MOST FAMOUS BOOKS AND WINNER OF THE NOBEL PRIZE FOR LITERATURE
‘Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice’
Gabriel Garcia Marquez’s great masterpiece is the story of seven generations of the Buendia family and of Macondo, the town they built. Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and its miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book, and only Aureliano Buendia can fathom its mysteries and reveal its shrouded destiny.
Blending political reality with magic realism, fantasy and comic invention, One Hundred Years of Solitude is one of the most daringly original works of the twentieth century.

A CLASSIC STORY OF ENDURING LOVE FROM THE NOBEL PRIZE-WINNING AUTHOR
‘It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.’
Fifty-one years, nine months and four days have passed since Fermina Daza rebuffed hopeless romantic Florentino Ariza’s impassioned advances and married Dr Juvenal Urbino instead. During that half-century, Flornetino has fallen into the arms of many delighted women, but has loved none but Fermina. When Fermina’s husband is killed trying to retrieve his pet parrot from a mango tree, Florentino seizes his chance to declare his enduring love.
But can young love find new life in the twilight of their lives?
‘An exquisite writer, wise, compassionate and extremely funny‘ Sunday Telegraph
‘An amazing celebration of the many kinds of love between men and women‘ The Times

‘All animals are equal. But some animals are more equal than others.’ Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs, Napoleon and Snowball, leads to the animals taking over the farm.
Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges.
First published in 1945, Animal Farm – the history of a revolution that went wrong – is George Orwell’s brilliant satire on the corrupting influence of power.
‘Remains our great satire of the darker face of modern history‘ Malcolm Bradbury

It’s the sweltering summer of 1944, and Newark is in the grip of a terrifying epidemic. Decent, athletic twenty-three year old playground director Bucky Cantor is devoted to his charges and ashamed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As polio begins to ravage Bucky’s playground – child by helpless child – Roth leads us through every emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering and the pain.
‘The genius of Philip Roth…back at his imperious best in this heartbreaking tale… The eloquence of Roth’s storytelling makes Nemesis one of his most haunting works‘ Daily Mail
‘Cantor is one of Roth’s best creations and the atmosphere of terror is masterfully fashioned‘ Sunday Telegraph
‘Very fine, very unsettling‘ Douglas Kennedy, The Times