Gabriel Garcia Marquez, winner of the 1982 Nobel Prize for Literature and author of One Hundred Years of Solitude, explores the loneliness of power in Autumn of the Patriarch.

‘Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up the stagnant time inside.’

As the citizens of an unnamed Caribbean nation creep through dusty corridors in search of their tyrannical leader, they cannot comprehend that the frail and withered man lying dead on the floor can be the self-styled General of the Universe. Their arrogant, manically violent leader, known for serving up traitors to dinner guests and drowning young children at sea, can surely not die the humiliating death of a mere mortal?

Tracing the demands of a man whose egocentric excesses mask the loneliness of isolation and whose lies have become so ingrained that they are indistinguishable from truth, Marquez has created a fantastical portrait of despotism that rings with an air of reality.

Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity.

Ernest and Hadley’s marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest’s ferocious literary endeavours begin to bring him recognition – not least from a woman intent on making him her own.