sellable

  • To You, From Me

    To You, From Me

    12.00

    This children’s book is based around helping children cope with feelings of anxiety that they may or may not even be aware of. It combines stories which revolve around feelings that all children can connect with, fun exercises focusing on the breath, which is one of the most important things when anyone is experiencing anxious or panicked feelings, and lastly – illustrations with join the dot pictures behind each illustration for every child to finish off the section with. It has something for every child’s interests, while leading back to the same outcome for all – well being. It is my utmost wish for young children to be able to break the stigma of feeling ashamed or embarrassed about the feelings they are experiencing for whatever reasons that may be.
    Age: 3-9

  • Northanger Abbey

    Northanger Abbey

    9.95

    Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.

  • Peter Pan

    Peter Pan

    9.95

    The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find Red Indians, Wolves, Mermaids and… Pirates.

    The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains ‘liked me arm so much that he has followed me ever since, licking his lips for the rest of me’. After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band.

  • The Little Prince

    The Little Prince

    9.95

    The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book’s brevity. Written and published first by Antoine de St-Exupery in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world’s most widely translated books, enjoyed by adults and children alike. In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination.

    The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author’s own delightful illustrations, bringing to visual life the small being at the tale’s heart, and a world of fantasy far removed from any quotidian reality.

    It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other. This is a book which creates a unique relationship with each reader, whether child or adult.

  • Northern Protestants on Shifting Ground

    Northern Protestants on Shifting Ground

    19.95

    Description
    Twenty years on from her critically acclaimed book, ‘Northern Protestants: An Unsettled People’, Susan McKay talks again to the Protestant community in Northern Ireland. Based on almost 100 brand-new interviews, and told with McKay’s trademark passion and conviction, this is essential reading. This new title will be accompanied by a new edition of ‘Northern Protestants: An Unsettled People’.

    Containing interviews with politicians, former paramilitaries, victims and survivors, business people, religious leaders, community workers, young people, writers and others, it tackles controversial issues, such as Brexit, paramilitary violence, the border, the legacy of the Troubles, same-sex marriage and abortion, RHI, and the possibility of a United Ireland, and explores social justice issues and campaigns, particularly the struggle for LGBTQ+ rights. Interviewees include: Eileen Weir, Dee Stitt, Dawn Purvis, Chrissie Quinn, Clare Sugden, Toni Ogle, Kyle Black, Sammy Wilson and others, and ties in to topical debates around identity in the context of Brexit and the centenary of the foundation of Northern Ireland. Susan McKay is an award-winning writer and commentator and contributes regularly to print and broadcast media, including Guardian/Observer, New York Times, Irish Times and London Review of Books.

  • It Ends With Us

    It Ends With Us

    12.50

    Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town in Maine where she grew up – she graduated from college, moved to Boston, and started her own business. So when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life suddenly seems almost too good to be true.

    Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily, but Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place.

    As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan – her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened.

    With this bold and deeply personal novel, It Ends With Us is a heart-wrenching story and an unforgettable tale of love that comes at the ultimate price.

  • The Good Ancestor

    The Good Ancestor

    15.50

    How can we be good ancestors?

    From the first seeds sown thousands of years ago, to the construction of the cities we still inhabit, to the scientific discoveries that have ensured our survival, we are the inheritors of countless gifts from the past. Today, in an age driven by the tyranny of the now, with 24/7 news, the latest tweet, and the buy-now button commanding our attention, we rarely stop to consider how our actions will affect future generations. With such frenetic short-termism at the root of contemporary crises, the call for long-term thinking grows every day – but what is it, has it ever worked, and can we even do it? In The Good Ancestor, leading public philosopher Roman Krznaric argues that there is still hope.

    From the pyramids to the NHS, humankind has always had the innate ability to plan for posterity and take action that will resonate for decades, centuries, even millennia to come. If we want to become good ancestors, now is the time to recover and enrich this imaginative skill. The Good Ancestor reveals six profound ways in which we can all learn to think long-term, exploring how we can reawaken oft-neglected but uniquely human talents like ‘cathedral thinking’ that expand our time horizons and sharpen our foresight.

    Drawing on radical solutions from around the world, Krznaric celebrates the innovators who are reinventing democracy, culture and economics so that we all have the chance to become good ancestors and create a better tomorrow.

  • Madhouse at the End of the Earth

    Madhouse at the End of the Earth

    17.95

    The harrowing, survival story of an early polar expedition that went terribly wrong, with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter

    August 1897: The Belgica set sail, eager to become the first scientific expedition to reach the white wilderness of the South Pole. But the ship soon became stuck fast in the ice of the Bellinghausen sea, condemning the ship’s crew to overwintering in Antarctica and months of endless polar night. In the darkness, plagued by a mysterious illness, their minds ravaged by the sound of dozens of rats teeming in the hold, they descended into madness.

  • The Summer I Robbed A Bank

    The Summer I Robbed A Bank

    9.95

    *Winner of the Irish Children’s Book Award*

    ‘Funny, warm as toast and packed full of ideas that fill up your head and burst in your brain like fizzy magic!’ Noel Fielding

    ‘A totally fun, madcap adventure that ends up robbing your heart’ Stewart Foster, award-winning author of The Bubble Boy.

    There’s a feeling of relief that comes just after you’ve robbed a bank … Rex’s parents have split up and, to make matters worse, he has to spend his summer holiday on a remote and rainy Irish island – with only unruly sheep for company. The only upside: he’ll be staying with his strange and brilliant Uncle Derm.

    Then Rex discovers Uncle Derm is about to execute his most hair-brained plan yet … To rob the island’s travelling bank!

    Like the local legend of medieval Pirate Queen Grace O’Malley, Uncle Derm plans to redistribute the money to local needy causes on the island. And he needs Rex’s help … A chaotic robbery, plenty of sheep and a summer of discoveries come together in this hilarious and heart-warming novel from comedian, actor and author of Danger is Everywhere, David O’Doherty. A perfect adventure for fans of Frank Cottrell Boyce, Ross Welford and David Walliams.

  • Elephant on the Farm

    Elephant on the Farm

    9.95

    Edward the Elephant finds himself on a farm, feeling lonely and sad, but he has an unknown friend in Olive the Owl,

    As Olive brings Edward out to the farm to meet the other animals – who he thinks look like his friends from the zoo, there is a fire and only Edward can save the day!

    This beautiful story of friendship, diversity & inclusion from debut author Brendan McDonald, shows us that no matter where you find yourself you will always find your tribe.

  • Heartstopper Volume 4

    Heartstopper Volume 4

    15.95
    Description
    *Soon to be a live-action Netflix series!* Boy meets boy. Boys become friends. Boys fall in love.

    The bestselling LGBTQ+ graphic novel about life, love, and everything that happens in between: this is the fourth volume of HEARTSTOPPER, for fans of The Art of Being Normal, Holly Bourne and Love, Simon. ‘Absolutely delightful. Sweet, romantic, kind.

    Beautifully paced. I loved this book.’ RAINBOW ROWELL, author of Carry OnCharlie didn’t think Nick could ever like him back, but now they’re officially boyfriends. Charlie’s beginning to feel ready to say those three little words: I love you.

  • The Thursday Murder Club

    The Thursday Murder Club

    12.50
    Description
    ‘Such a beacon of pleasure’ KATE ATKINSON’So smart and funny. Deplorably good’ IAN RANKIN’A gripping read’ SUNDAY TIMESTHE FIRST BOOK IN THE #1 BESTSELLING THURSDAY MURDER CLUB SERIES BY TV PRESENTER RICHARD OSMANIn a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders. But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case.
  • Nineteen Eighty-Four Wordsworth Edition

    Nineteen Eighty-Four Wordsworth Edition

    5.00
    Description
    The Thought Police, Doublethink, Newspeak, Big Brother – 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life.

    The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all.

  • Mary O’Connor was born in Wexford. She studied visual communication and 3D design at DIT in Dublin, and painting at Chelsea College of Art and in New Zealand. She has lived in Belize and (for 11 years) Kazakhstan, a place of vast landscapes and infinite white winters; during her time there she published two books of photojournalism on central Asia. She paints in mixed media, often on a large scale. Her work features in private and public collections including those of the Office of Public Works and the Environmental Protection Agency. She is a member of Black Church Print Studio.

  • Lucy Doyle has painted and exhibited in Ireland for the past 30 years, having moved to her studio in Avoca, County Wicklow, soon after graduating from Sheffield Art College in the UK. She creates figurative and still life canvases richly painted in thick impasto oil paint. Her paintings explore the beauty and impact of colour. Lucy’s work can be found in public and private collections including those of Trinity College Dublin and the Office of Public Works.

  • Marie Phelan was born in County Galway, has lived in the UK and now lives in County Wexford. She combines photography with painted backgrounds that draw out and enhance the characteristics of her home-grown flowers and plants. She has an Associate distinction from the Irish Photographic Federation, is a member of Wexford Camera Club and exhibits regularly in Wexford, for example during the opera festival and at the Wexford Arts Centre cafe. As an enthusiastic gardener she has her pick of subject material, and with an eye to future images, grows unusual and colourful plant varieties. Her painted backgrounds are achieved using watercolour and mixed media. While a background is ‘oozing and in a state of flux’, she judges the moment to place her flower or plant, and captures it with a macro lens.