Speak Out for Reform in the Catholic Church
€12.00MULVANEY, JOE
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Irish art critic Aidan Dunne described Rod Coyne’s paintings as ‘boldly designed, decisive studies of the sea’. Taking into account the sky, land, light and weather, Rod says he aims to capture ‘the place, the day and the time…as accurately as I can in a single sitting’.
Rod was born in Dun Laoghaire, and studied at Cork’s Crawford College of Art. After ten years painting in Dusseldorf, he came back to Ireland in 1999 and set up a studio/gallery in the Vale of Avoca in County Wicklow, where he paints and teaches.
He has exhibited internationally and his work features in public and corporate collections. Celebrity owners of his work include Marian Keyes, Eddie Jordan and Daniel Day-Lewis.

Through the young eyes of Scout and Jem Finch, this work explores with humour the irrationality of adult attitudes to race and class in the Deep South of the thirties.

Part nature book and part memoir, Salt Wind, Rising Water is a reflection on the joy of creating a landscape, and about the community who helped to make it.

No Killing outside the game, But what happens when those rules get broken? When the drowned body of a troubled teenager is recovered from a river in Maine’s Kennebec Valley, and a young woman disappears from a small rural town, they draw the attention of the private investigator named Charlie Parker. Now Parker will be forced to confront a band of men without morality and without loyalty, not even to one another, in a place where the very darkness is alive. Because something has emerged from the shadows, something very bad.
And it wants revenge.

In a remote valley in Idaho in 1981, a man, a woman and three children stop running to wash the blood from their hands and bodies. They are the few survivors of a terrible tragedy. Their only choice now is, somehow, to become a family.
Five years earlier, Opal and her husband James arrive at a small mining community in the Silver Valley, drawn by promises of fortune and independence. There they meet Baron Rowe, the charismatic visionary who controls the community with an iron fist. Baron’s son Denny has spent his life trying, and failing, to live up to Baron’s expectations, and to protect his little sister Maude from their father’s excesses.
Soon, a tragic accident will change all their lives. And five years later, change will come again at the barrel of a madman’s gun. Crossing the border into Canada, Opal, Denny, Maude, little Billy and the baby find refuge in a remote hunting cabin and in the generosity of the widowed Mrs Schweers.
As these five become Ma, Da, Bunny, Bear and Baby, they must unlearn all they have known, tend to wounds old and new, and start afresh. Dirtpickers is a heart-swelling beauty of a debut novel of trauma and found family, from an incredible new literary talent. Written in exquisite lyrical passages, the novel moves between the four main characters, shuffling back and forth in time, to create a story that will live long in the reader’s memory.

For Wilbur it was his time with Maggie, the love of his life. Their honeymoon in Venice.
Before he threw it all away.
Years later, on the brink of his own death, a train arrives. It can take Wilbur back in time.
To relive his most important moments. Soon he realises just how much he would have changed.
An adventure through time, The Midnight Train is a story of love and second chances, from the world of The Midnight Library.

Chuck and Joey meet in a bar. He’s in his mid-thirties; she’s twelve years younger. He’s long abandoned his ambition of becoming a novelist and now works as a copywriter at a big ad agency.
‘Lead copywriter,’ he corrects himself. Joey lives paycheck to paycheck on her barista wages and privately dreams of making it as a poet. They go back to Chuck’s luxury flat-a world away from Joey’s cramped house-share, the crumbs in her bed.
Soon, Joey’s imagining a future between them, and Chuck’s moving on from a mistake in his recent past. Amazing, how meeting a new person can make you feel so new. Funny, excruciating, and true, I Want You to Be Happy is a sharp-eyed tale of two people searching for meaning and connection in modern times, missing the mark maybe, but still trying.

You give a girl a taste of fresh air and then you take it away she ll grow fierce and wild to get it back.
Oxford, Mississippi, 1933.
Eleven-year-old Meg Lefleur has learned the hard way to rely on no one.
Ever since her beloved mother failed to come home last Christmas Eve, she s been one of the ‘unadoptable’ girls at the town s orphanage, where she fights each day to keep her wits sharp and her spirit unbowed.
When she meets Birdie, a young woman who has come to Oxford determined to remind her socialite sister of the impoverished family she left behind, for the first time in a long while it seems someone else might care about Meg s future.
But as the Depression tightens its grip, Birdie begins to suspect her sister s charmed life may be founded on a tapestry of lies. Then, Birdie encounters Charlie, a woman haunted by loss who has been pushed to the brink with nothing left to lose.
Drawn together by circumstance, they find unexpected kinship among a disreputable, determined band of women.
But in a town steeped in hypocrisy, even the smallest act of defiance can have dangerous consequences
Bold, heartwarming, and riotously funny, The Calamity Club is an unforgettable story of resilience and friendship, and a sisterhood of underestimated women who risk everything to take back control of their fates.

Two best friends. One murder. The truth could unravel everything…
The gripping new thriller from the No.1 Sunday Times bestselling author of All Her Fault and No One Saw a Thing. ‘Andrea Mara is fantastic!’ Freida McFadden’Impossible to put down.’ Patricia Cornwell’Andrea’s best book yet.’ Liz Nugent Have you seen the girls?The morning after a glamorous, luxury wedding, best friends Siobhan and Grace go to wake their twenty-four-year-old daughters. Opening the door to their shared room, they find a smashed lamp, an abandoned phone and blood on the carpet.
Over the next few days, the truth unravels, testing Siobhan and Grace’s friendship to its limits. As secrets and lies begin to come to light, they realise that the girls were not best friends. In fact, they weren’t really friends at all.
And now, it looks like one of them is dead. And one of them is a killer. But whose daughter is guilty of murder?‘The thing is, we always believe the best of our own kids.

‘Louise Hegarty can do anything. She’s fearless. And I loved these playful, clever, perfect stories’ – MARIANA ENRIQUEZ’Phenomenally talented’ – THE SUNDAY TIMES’Borges for the CMAT generation’ – THE IRISH TIMESAre you ready to play?Have you ever found yourself doom-scrolling, worrying about that weird pain in your leg, only to have your plans for the day completely trashed by the appearance of a literal axe-wielding troll?What about that time you came across a perfect double of yourself in the street?Or the gorilla suit you put on one day only for it to fuse with your skin?When those children went missing from your village, did you know for sure it was the electricity that took them?And down in the basement of your ancestral family home, what is it that’s making that THUMP .
. . THUMP .
. . THUMP .
. . Bold, funny, and wild, Louise Hegarty’s debut collection will turn you upside down and inside out, if it doesn’t take you apart completely.
* * * * *PRAISE FOR FAIR PLAY‘A treat . . .
Takes on the biggest questions of life and death’ – Paul Murray‘Dazzling’ – Colin Walsh‘Brilliant’ – The Times‘Ingenious’ – The Telegraph‘Terrific’ – The New York Times‘Heartbreaking’ – The Guardian‘Sally Rooney meets The Secret History’ – The Sunday Times

In a series of unexpected moments when past loves and choices re-surface with startling clarity, the imperfect beings who populate these stories find themselves finally grasping the impact of crucial early relationships, as joy, loss and betrayal echo across decades. A man searches for a possible secret half-sister to understand his father. A woman is haunted by a boy’s death fifty years ago.
A lighthouse keeper recalls his first relationship. A public figure, slipping into dementia, relives a fateful night that haunts him. A man seeks insights into his mother’s past on a remote Portuguese island.
From childhood holidays shadowed by tragedy to chance reunions that rewrite old narratives, Bolger’s complex and deeply humane characters reveal the fragile beauty of human connection.

‘Exhilarating, devastating, comforting, essential.’ CLAIRE KILROY’These are stories which sing off the page.’ JAN CARSON’Powerful, compelling and richly crafted.’ MARY COSTELLO’Profoundly intimate.’ TAHMIMA ANAMThe highly-anticipated new collection from the BBC National Short Story Award-winning author of Multitudes, Intimacies and Openings’There must be moments when we let go – let go of all that we do, all that we are.’A young Belfast theatre troupe brings its experimental production of Hamlet to New York. On a night-flight, travelling with a violin older than the United States, a professional musician slips through time. A man who loses all he thought he had, and finds himself haunted by all he never will, comes to a painful new understanding of what it might mean to love.
Transporting and profound, these are stories of love, grief, longing, of new beginnings, and the ways we find shelter in each other. ‘One of our best short story writers.’ THE TIMES'[Caldwell] holds the reader right up against the tender humanity of her characters.’ EIMEAR McBRIDE’A next-level author of short stories.’ THE HERALD

‘Back in the flat, Sylvia is no use. She doesn’t have any ideas, all she suggests is get a job, take your time, get some money together, then go somewhere. But Clodagh needs to go now, needs to go today if possible.
Even Seamus has gone. But where, and with what?’Clodagh finds herself adrift after leaving her partner Seamus. Navigating addiction, the harsh realities of a housing crisis, and relationships pushed to the brink, this is a story of her attempts to reconnect with herself, and those closest to her, in a gritty, vividly rendered contemporary Dublin.
Weaving from place to place and person to person – past friends, fellow users and her worried mother Sylvia – Clodagh struggles to fully understand herself, or the city she calls home. Urban isolation, the trials of modern life and the fleeting beauty found in Dublin marble every scene of this novel. Somewhere is a raw and intimate portrait of a woman balancing on the edge of survival, seeking meaning and love amid isolation and addiction.

When Frida Slattery and John Reddan meet in a Dublin pub in 2005, neither can imagine how they will come to shape and define each other’s lives.
Frida is struggling to launch her acting career, while John is already gaining a name for himself as a director. From the first they see in each other potential and the chance to create work that matters, though the lines between collaboration and exploitation, friendship and desire will prove dangerously slippery.
With the financial crisis looming, the next 16 years takes them from Dublin to London, via New York and LA, and through success and disappointment, joy and heartbreak.
Their connection is tested and stretched to the point of rupture, but something remains that outlasts both their work and their own shifting perceptions.
FRIDA SLATTERY AS HERSELF is an unforgettable story of love, artistic collaboration, and two people coming of age, together and apart.

Derry is already abuzz with news that famous American actor, Monica Logue, has flown to the city and will be starring in a new series set during the Troubles.
And then she goes missing . . .
All eyes are on Diarmuid, the flaky scriptwriter who was the last to see Monica alive. From budding young actors hoping for a role to grieving parent whose story forms the backbone of the narrative; newspaper editors covering the mystery to taxi drivers hearing all the news from their clients, Prestige Drama follows the city’s cast as they all try to locate themselves in Monica’s disappearance. Séamas O’Reilly’s debut novel is a comedy about dramatising tragedy, and the responsibilities of a teller to a tale.