sellable

‘I met Mollie’s paintings before I met Mollie’ Shortly after the imposed isolation of the pandemic, Sara Baume came across a painting at a pop-up exhibition in a renovated shed in rural West Cork. It so intrigued her that she was inspired to make contact with the artist. Mollie Douthit, a North Dakotan exile, was living and working alone in a log cabin down a ravaged laneway surrounded by rugged coastline.

Sara and Mollie discovered they had much in common – a dysfunctional attitude towards companionship, a devotion to the daily rituals of their respective art practices, an affinity with nature. They started to meet every month for soup and punishing swims in the Atlantic. Sara fell under the spell of Mollie’s paintings, pictures that welded memory and reality, and gradually started to write about them, curious as to whether any particular insight might be provided by the intimacy of friendship with the artist, and whether it might be possible to craft a book in the style of the paintings.

But what she had not anticipated was that a settled period in her own life would coincide with a period of tumultuous change for Mollie, and soon she found herself squabbling with more complex ideas, about community and nationality, about neurosis and mysticism, about love and pain and the power of art.

Cricket is just a shy kid who likes drawing when he first meets Olympia. She’s older, more confident; she bullies him into some light vandalism and instantly he’s in love. When they’re together, they talk about their futures, how they’re going to travel the world, the beauty and rapture of art.

Then those futures start to arrive in unexpected ways, the years and decades pile up between them, the art world seduces and disappoints and frustrates them.

And they have to figure out, again and again, what it is to be an artist, and who and what to love.

This is a wild and beautiful novel about two friends who believe they can change the world, if only they can start their own movement, dodge charlatans, remain open-eyed and open-hearted, avoid going mad, avoid dying young of rare cancers, stay true to their ideals and never tire of beauty. Not easy, but not impossible, either.

The stunning new novel from the Booker Prize-winning, Sunday Times-bestselling author of SHUGGIE BAIN and YOUNG MUNGO.An Oprah’s Book Club pickShortlisted for the Orwell Prize for Fiction ‘You finish the novel feeling emotionally enriched and slightly bereft at leaving its characters behind’ – The Sunday Times’This book is special’ – Colm Tóibín’Passionate, liberating, and gorgeous’ – Min Jin Lee ‘Brilliant and rare’ – Ann Patchett’A masterpiece’ – Elaine Feeney’A fierce, glorious sting of a novel’ – Lauren GroffOut of money and with little to show for his art school education, John-Calum Macleod takes the ferry home to the island of Harris to find that not much has changed except for him. In the windswept croft where he grew up, Cal resumes his old life, caught between the two poles of his childhood: his father John, a sheep farmer, weaver, and pillar of their local Presbyterian church, and his Glaswegian grandmother Ella, who has kept a faltering peace with her son-in-law for decades. While Cal wonders if any lonely men might be found on the barren hillsides of home, John is dismayed by his son’s long hair and how he seems unwilling to be Saved.

As the seasons pass, everything is poised to change as the threads holding together the fragile community become increasingly entangled. ‘Stuart’s most consummate work of literature to date’ – Observer’Intimate yet epic in scale . .