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€5.00
War and Peace is a vast epic centred on Napoleon’s war with Russia. While it expresses Tolstoy’s view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy’s philosophy in this novel of unquestioned mastery.
This translation is one which received Tolstoy’s approval.
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€6.95
ADICHIE, CHIMAMANDA NGOZI
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€19.95
Hillary Clinton
The Sunday Times Bestseller`It is a compelling read’ – The Financial Times. `a sporadically absorbing, pleasingly vengeful and often darkly funny account of one woman’s bid for presidential history.’ The Sunday Times, `Her new book is more gossipy, it is meaner, more entertaining and more wrong-headed than anything she or her speechwriters have written before.’ The Observer `What Happened is highly entertaining. It is spirited, well-written and informative.’ The Guardian’In the past, for reasons I try to explain, I’ve often felt I had to be careful in public, like I was up on a wire without a net.
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€12.50
Gallery Press
Sara Berkeley Tolchin?s new collection begins: ?I?d like my heart /to be without conditions, / to crack each day a little more open?, an ambition these vibrant, airy poems explore in the book?s copious reach. It reflects on themes of loss and losing: ?My mother is missing. The stars too, / the stars are not where I left them, / they are not in their constellations.?
As Wes Davis observed, in his Harvard Anthology of Modern Irish Poetry, ?her rich poems ? and her sharp eye for details of the natural world ? are given a resonant tension by the stretched ties to her native country?. What Just Happened includes poems set on the west coasts of Ireland and the United States. But ?the rumble beneath her poetic language? (Davis continues) ?is most often the noise made by the tectonic plates of personality as they shift beneath the surface terrain of relationships?.
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€10.95
Description
‘Every voice raised against racism chips away at its power. We can’t afford to stay silent. This book is an attempt to speak’The book that sparked a national conversation.
Exploring everything from eradicated black history to the inextricable link between class and race, Why I’m No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE SUNDAY TIMES BESTSELLERWINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018FOYLES NON-FICTION BOOK OF THE YEARBLACKWELL’S NON-FICTION BOOK OF THE YEARWINNER OF THE JHALAK PRIZELONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONLONGLISTED FOR THE ORWELL PRIZESHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD
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€25.00
Windharp: Niall MacMonagle’s essential anthology of the last century of Irish poetry. The Easter Rising of 1916 was a foundational moment of the independent Irish state; but while that insurrection continues to divide opinion, there is no disagreement as to the majesty of Yeats’ ‘Easter 1916’, or about the excellence of the Irish poetic tradition over the past century. Windharp is an anthology that follows the twists and turns of Irish history, culture and society through the work of its remarkable standing army of poets.
Edited by Niall MacMonagle, Ireland’s most trusted poetry commentator, Windharp is an accessible and inspiring journey through a century of Irish life.
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€4.00
The Winter’s Tale, one of Shakespeare’s later romantic comedies, offers a striking and challenging mixture of tragic and violent events, lyrical love-speeches, farcical comedy, pastoral song and dance, and, eventually, dramatic revelations and reunions. Thematically, there is a rich orchestration of the contrasts between age and youth, corruption and innocence, decline and regeneration. Both Leontes’ murderous jealousy and Perdita’s love-relationship with Florizel are eloquently intense.
In the theatre, The Winter’s Tale often proves to be diversely entertaining and deeply moving.
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€5.00
Gaskell’s last novel, widely considered her masterpiece, follows the fortunes of two families in nineteenth century rural England.? At its core are family relationships – father, daughter and step-mother, father and sons, father and step-daughter – all tested and strained by the romantic entanglements that ensue. Despite its underlying seriousness, the prevailing tone is one of comedy.? Gaskell vividly portrays the world of the late 1820s and the forces of change within it, and her vision is always humane and progressive. The story is full of acute observation and sympathetic character-study:? the feudal squire clinging to old values, his naturalist son welcoming the new world of science, the local doctor and his scheming second wife, the two girls brought together by their parent’s marriage…
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€6.50
Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress. The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.
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€25.00
Shannon: Irish University Press, 1970. Photo-lithographic reprint of the Cuala Press original. 8vo, cloth-backed boards. Opaque dust Jacket.
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€15.95
Description
Millions of young readers have loved the World’s Worst Children tales – now they will revel in this delightfully dreadful collection of the most gruesome grown-ups ever: The World’s Worst Teachers. From the phenomenally bestselling David Walliams and illustrated in glorious colour by the artistic genius, Tony Ross.Think your teachers are bad? Wait till you meet this lot. These ten tales of the world’s most splendidly sinister teachers will have you running for the school gates.
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€18.50
A family story of blood and memory and the haunting power of the past. After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present.
Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922. It is the story of Keane’s grandmother Hannah Purtill, her brother Mick and his friend Con Brosnan, and how they and their neighbours took up guns to fight the British Empire and create an independent Ireland. And it is the story of another Irishman, Tobias O’Sullivan, who fought against them as a policeman because he believed it was his duty to uphold the law of his country.
