Showing 897–912 of 983 results
Paperback edition of the novel which moves back in forth across the Atlantic from Ireland to America and Canada, and also moves through time from 1919 to 1845 to 1998. Longlisted for the Man Booker Prize, it uses the real-life stories of Frederick Douglass, Alcock and Brown and Senator George Mitchell. From the author of }Let The Great World Spin{, which won a National Book Award.
Heaney not only translated classic works of Latin and Old English but also poems from a great number of ancient and modern European languages, not least translations from the Old, Middle and Modern Irish of his homeland. The breadth and depth in evidence here is extraordinary – from monastic hymns and prayers, to the civic and familial tragedies of Sophocles and Kochanowski; from Virgil and Dante’s living underworld to the stark landscapes of Sweeney’s Ireland.
As editor, Marco Songzogni frames the translations with the poet’s own writings on his works. Collectively these bring us closer to an understanding of the genius for interpretation and transformation that distinguished Heaney as one of the great poet-translators of all time.
Treasure Island is the seminal pirates and buried treasure novel, which is so brilliantly concocted that it appeals to readers both young and old. The story is told in the first person by young Jim Hawkins, whose mother keeps the Admiral Benbow Inn. An old seadog, a resident at the inn, hires Jim to keep a watch out for other sailors whom he fears but, despite all precautions, the old man is served with the black spot which means death.
Among the dead man’s belongings Jim discovers a map showing the location of the buried treasure of the notorious pirate Captain Flint. It is not long before he, along with Doctor Livesey and Squire Trelawney, sets sail to find the treasure. However, amongst the hired hands is the one-legged Long John Silver who has designs on the treasure for himself.
The continuing fascination with this tale of high drama, buried treasure and treachery bears out what Stevenson wrote about the book to his friend W. E. Henley: ‘if this don’t fetch the kids, why, they have gone rotten since my day.’ The book not only continues to ‘fetch the kids’ but the grown-ups too – in fact all those with the spirit of adventure in their hearts.
Description
‘In Irish there are so many great rain words and magic words and highly specific natural words (such as the material put on the hooves of donkeys to stop them slipping in ice), or words to communicate with animals, or evocative plant words, or the gorgeous words for different amounts of light in the sky, or words that hint at different ways of seeing colour, or twilight words … ‘ Manchan Magan is fascinated by words, particularly Irish words, with all of their complex meanings and associations and their connections to the natural world. Having enjoyed huge success with his bestselling book Thirty-Two Words for Field, Manchan now brings his infectious wonder and enthusiasm for the Irish language to a younger audience, offering delightful translations and explanations of animal, bird, fish, insect and nature words.
When you see the world through Irish, you see the world differently. Get ready to share the magic with this delightful book for readers of all ages.
The definitive guide to yoga in everyday life from B.K.S. Iyengar, the world’s most respected yoga teacher.
B.K.S. Iyengar has devoted his life to the practice and study of yoga. It was B.K.S. Iyengar’s unique teaching style, bringing precision and clarity to the practice, as well as a mindset of ‘yoga for all’, which has made it into a worldwide phenomenon.
His seminal book, ‘Light on Yoga’, is widely called ‘the bible of yoga’ and has served as the source book for generations of yoga students around the world. In ‘The Tree of Yoga’, the collected wisdom of his many years of practice and its application in real life are brought into a single-volume work.
A collected philosophy for life researched through decades of practice, these are his core teachings and advice for living a long, healthy, happy life. Using the tree as a structural metaphor for both life and yoga practice, the essays cover many aspects of life and practice which are vital to health and happiness and in need of care.
This includes:* Yoga and health* Yoga as part of daily life* Childhood and parenthood* Love* Death* Faith – hope and spirituality* Teachers and teaching
* LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2023 *
* WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 *
* SHORTLISTED FOR BRITISH BOOK OF THE YEAR: DEBUT FICTION *
* SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 *
* AN OBSERVER BEST DEBUT NOVELIST OF 2022 *
* A BBC RADIO 4 BOOK AT BEDTIME *
One by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat. If Seamie McGeown had not found himself alone on a dark street.
If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.
As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like ‘petrol bomb’ and ‘rubber bullets’. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.
Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.
Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography.
This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, Tristram Shandy provides an unforgettable experience. We may see why Nietzsche termed Sterne ‘the most liberated spirit of all time’.
Private Detective Cormoran Strike is visiting his family in Cornwall when he is approached by a woman asking for help finding her mother, Margot Bamborough – who went missing in mysterious circumstances in 1974.
Strike has never tackled a cold case before, let alone one forty years old. But despite the slim chance of success, he is intrigued and takes it on; adding to the long list of cases that he and his partner in the agency, Robin Ellacott, are currently working on. And Robin herself is also juggling a messy divorce and unwanted male attention, as well as battling her own feelings about Strike.
The gentle melancholy and lyrical atmosphere of Twelfth Night have long made the play a favourite with Shakespearian audiences. The plot revolves around mistaken identities and unrequited love, but is further enlivened by a comic sub-plot of considerable accomplishment. In it, Sir Toby Belch and his companion outwit the pretentious Malvolio, who despite suffering their most outrageous and insulting practical jokes, emerges as an almost noble figure.
Tony Ward’s story is a tragedy of a sporting career unfulfilled. Hailed by the Irish media as the new George Best of rugby following his pivotal performance in Munster’s stunning 12-0 win over the mighty touring All-Blacks – which in itself is one of the all-time greatest Irish sporting successes – Ward became a giant of Irish sport. His surge to fame portrayed him as Ireland’s next glamour boy; twelve feet tall and adored by the public.
But this dazzling beginning culminating in winning his first international cap for Ireland, would then be subsequently blighted by internal feuds with the powers that be in the IRFU and lasted right up until his retirement. Now, for the first time, Ward reveals in depth (including official correspondence with the IRFU) the shocking events that took place. The nature of the game at the time allowed certain elements within the ruling body to have a negative impact upon his burgeoning career.
A career which ended with just nineteen caps but which rugby people across the world admitted should have been far in excess of that. His beautiful articulacy and insights, which have made him one of the foremost journalists writing about rugby today, also come to the fore in this riveting memoir of his career. But it is his revelations which will leave you shaking your head and wondering just how this could have happened.
In telling his story fully for the first time, Tony Ward dearly hopes that his experience will serve as a warning to all sporting authorities everywhere that the natural skill, talent and potential of developing young sports stars will never again be mismanaged or confidence submerged in such a callous and uncaring way. This is his story.
Professor Aronnax, his faithful servant, Conseil, and the Canadian harpooner, Ned Land, begin an extremely hazardous voyage to rid the seas of a little-known and terrifying sea monster. However, the ‘monster’ turns out to be the giant submarine, Nautilus, commanded by the mysterious Captain Nemo, by whom they are soon held captive. So begins not only one of the great adventure classics by Jules Verne, the ‘Father of Science Fiction’, but also a truly fantastic voyage from the lost city of Atlantis to the South Pole.
The three works in this collection, all dating from Nietzsche’s last lucid months, show him at his moststimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Ubermensch) are forsaken, as wit, exuberance and dazzling insights predominate, forcing the reader to face unpalatable insights and to rethink every commonly accepted ‘truth’. Thinking with Nietzsche, in Jaspers’ words, means holding one’s own against him, and we are indeed refreshed and challenged by the vortex of his thoughts, by concepts which test and probe. In The Twilight of the Idols, The Antichrist and Ecce Homo Nietzsche writes at breakneck speed of his provenance, his adversaries and his hopes for mankind; the books are largely epigrammatic and aphoristic, allowing this poet-philosopher to bewilder and fascinate us with their strangeness and their daring.
He who fights with monsters, Nietzsche once told us, should look to it that he himself does not become one, and when you gaze long into an abyss the abyss also gazes into you. Reader, beware.
Fennell, a journalist, is in pursuit of a story buried at the bottom of the sea: the network of tiny fibre-optic tubes that carry the world’s information across the ocean floor – and what happens when they break. So he has travelled to Cape Town to board the George Lecointe, a cable repair vessel captained by Chief of Mission John Conway. Conway is a talented engineer and fearless freediver – and Fennell is quickly captivated by this mysterious, unnerving man and his beautiful partner, Zanele.
As the boat embarks along the west coast of Africa, Fennell learns the rhythms of life at sea, and finds his place among the band of drifters who make up the crew. But as the mission falters, tensions simmer – and Conway is thrown into crisis. A terrible, violent tragedy is unfolding in the life he has left behind on land; and, trapped out at sea, it seems as if the vast expanse of the ocean is closing in.
Then Conway disappears; and Fennell must set out to find him. As taut and propulsive as a thriller, and a timeless exploration of narrative and truth, Twist is the work of a master storyteller at the height of his powers.
When Tate Collins meets airline pilot Miles Archer, she doesn’t think it’s love at first sight. They wouldn’t even go so far as to consider themselves friends.
The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex.
Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her.
Never ask about the past.
Don’t expect a future.
They think they can handle it, but realize almost immediately they can’t handle it at all.
Hearts get infiltrated.
Promises get broken.
Rules get shattered.
Love gets ugly.
A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance and weight – and we feel ‘the unbearable lightness of being’.
A masterpiece by one of the world’s greatest writers, Milan Kundera’s The Unbearable Lightness of Being encompasses passion and philosophy, infidelity and ideas, the Prague Spring and modern America, political acts and private desires, comedy and tragedy – in fact, all of human existence.