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Discover the word-of-mouth bestselling phenomenon that thousands of readers are calling their favourite book of the year!
LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2026
SUNDAY TIMES BESTSELLER
THE #1 NEW YORK TIMES BESTSELLER
OVER ONE MILLION COPIES SOLD WORDLWIDE
A TIMES BOOK OF THE YEAR 2025
IRISH TIMES BESTSELLER
A BBC RADIO 2 BOOK CLUB PICK
‘A warm, funny gem of a novel’
LAURA HACKETT, THE TIMES
Moving from 60s Italy to contemporary Ireland, Ripeness is a breathtaking story of love and the search for belonging from Sarah Moss, bestselling author of Summerwater. On the brink of adulthood and just out of school, Edith finds herself travelling to rural Italy. She has been sent by her mother with strict instructions: to see her sister, ballet dancer Lydia, through the final weeks of her pregnancy, help at the birth and then make a phone call which will change all of their lives.
Decades later, happily divorced and newly energized, Edith is living in contentment and comfort in Ireland. When her best friend Méabh receives a call from an American man claiming to be her brother, Méabh must decide if she will meet him, and Edith finds herself plunged back into her own past and the story of the baby she once knew and loved.
Lorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.
Could she not see there was death about him? Could he not see there was death about her?
Paddy worked the border, a place of road closures, hijackings, sudden death.
Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.
There’s illicit cash coming across the border and Brendan’s backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn’t care about getting caught.
For the Bureau crew getting caught is only the start of the game.
Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She’s cast as a minx, a criminal’s moll but she’s bought a shotgun.
And she’s bought a grave.
In the 1800s, as Britain became the world’s most powerful industrial empire, Ireland starved. The Great Famine fractured long-held assumptions about political economy and ‘civilisation’, threatening disorder in Britain. Ireland was a laboratory for empire, shaping British ideas about colonisation, population, ecology and work.
In Rot, Padraic Scanlan reinterprets the history of this time and the result is a revelatory account of Ireland’s Great Famine. In the first half of the nineteenth century, nowhere in Europe – or the world – did the working poor depend as completely on potatoes as in Ireland. To many British observers, potatoes were evidence of a lack of modernity among the Irish.
However, Ireland before the famine more closely resembled capitalism’s future than its past. While poverty before and during the Great Famine was often blamed on Irish backwardness, it did in fact stem from the British Empire’s embrace of modern capitalism.
Uncovering the disaster’s roots in Britain’s deep imperial faith in markets and capitalism, Rot reshapes our understanding of the Famine and its tragic legacy.
Fennell, a journalist, is in pursuit of a story buried at the bottom of the sea: the network of tiny fibre-optic tubes that carry the world’s information across the ocean floor – and what happens when they break. So he has travelled to Cape Town to board the George Lecointe, a cable repair vessel captained by Chief of Mission John Conway. Conway is a talented engineer and fearless freediver – and Fennell is quickly captivated by this mysterious, unnerving man and his beautiful partner, Zanele.
As the boat embarks along the west coast of Africa, Fennell learns the rhythms of life at sea, and finds his place among the band of drifters who make up the crew. But as the mission falters, tensions simmer – and Conway is thrown into crisis. A terrible, violent tragedy is unfolding in the life he has left behind on land; and, trapped out at sea, it seems as if the vast expanse of the ocean is closing in.
Then Conway disappears; and Fennell must set out to find him. As taut and propulsive as a thriller, and a timeless exploration of narrative and truth, Twist is the work of a master storyteller at the height of his powers.
Beidh Tú Alright is a powerful nod to the resilience of the human spirit, the importance of cultural heritage, and the joy of lifelong learning. McHugh’s personal story will inspire both those who have yet to start their Irish language journey and those who may have once given up.
Outside the filthy window, the city rushes by. But up in the flat, there is only Eily and Stephen, 19 and 40. Only their bodies, the churning bedsheets.
Pagodas of takeaway boxes. The total obsession of new love. 18 months later, and the flat feels different.
Their world is merging with the common place. The scars of the past are intruding. Stray emotions you’ve neglected to secure.
Ambitions and secrets still to confess. And now Gracie, Stephen’s 17-year-old daughter, is about to arrive. The city changes its face.
A FINANCIAL TIMES BEST DEBUT OF 2025
Mairead works all hours in a run-down West End theatre’s wardrobe department, her whole existence made up of threads and needles, running errands to mend shoes, fixing broken zips and handwashing underwear. She must also do her best to avoid groping hands backstage and the terrible bullying of the show’s producer.
But, despite her skill and growing experience, half of Mairead remains in her windy, hedge-filled home in Ireland, and the life she abandoned there. In noughties London, she has the potential to be somebody completely new – why, then, does she feel so stuck? Between the bustling side streets of Soho, and the wet grass of Leitrim and Donegal, Mairead is caught, running from the girl she was but unable to reveal the woman she’d hoped to become.
Told with rare honesty and equal measures of warmth and bite, The Wardrobe Department is a story about reckoning with the past, finding the courage to change the present – and asking what comes next.
‘Domestic noir at its finest.’ I PAPER
‘The Cleaner is a masterclass in tension.‘ – JENNIE GODFREY, Sunday Times bestselling author of The List of Suspicious Things
‘Beautiful, dark, visceral, truly spellbinding.‘ – ANDREA MARA, Sunday Times No. 1 bestselling author
‘Taut, twisty and beautifully atmospheric.‘ – KIA ABDULLAH, author of Waterstones Thriller of the Month Those People Next Door
It’s not dust she’s looking for.
It’s dirt.
Esmie is supposed to be invisible. Just a cleaner with a foreign accent that no one quite has time to place.
Her uniform of leggings and a duster allows her to explore the homes of the wealthy, unseen; an outsider creeping around the edges of privilege.
But as she sweeps through the exclusive Woodlands gated neighbourhood, cleaning is the last thing on her mind. Treading silently over the polished wooden floorboards and cloud-soft carpets, Esmie gathers up the mess of broken marriages, quiet deceptions and careless failures. She tucks away their fragments, keeping them safe.
Jerry Drain, a local famer, is stealing hay from the barn, someone is making nasty phone calls to the house at night and darkness is gathering at the edges of their lives. With his ferocious imagination the boy will do everything in his power to protect his family. But Jerry will not go away and Mum seems to be falling under his spell.
It will be a year of major wins and baffling defeats for the boy, as Jerry’s true nature insists on revealing itself. Dark, funny, tender and raw, Frogs for Watchdogs thrums with the intensity of childhood. Above all, it is an ode to the blended family: the bewildering joy, wary safety and profound new bonds of love.
Pre-order your copy now!
Released 21st Jan
ARE YOU READY TO BRAVE THE DARK?
After nearly eighteen months at Basgiath War College, Violet Sorrengail knows there’s no more time for lessons. No more time for uncertainty.
Because the battle has truly begun, and with enemies closing in from outside their walls and within their ranks, it’s impossible to know who to trust.
Now Violet must journey beyond the failing Aretian wards to seek allies from unfamiliar lands to stand with Navarre. The trip will test every bit of her wit, luck, and strength, but she will do anything to save what she loves – her dragons, her family, her home, and him.
Even if it means keeping a secret so big, it could destroy everything.
They need an army. They need power.
They need magic. And they need the one thing only Violet can find – the truth.
But a storm is coming… and not everyone can survive its wrath.
Four Six Nations championships (including two Grand Slams). A series win in New Zealand. Two stints for Ireland at number 1 in the world.
And the World Player of the Year award. No Irish rugby player has ever achieved more, or been a source of more inspiration to teammates and fans alike, than Johnny Sexton. Outspoken, on and off the field, Sexton offers an honest look at his childhood, his relationships with key teammates and coaches (including Brian O’Driscoll, Paul O’Connell, Ronan O’Gara, Joe Schmidt and Andy Farrell), and his ideas about the game.
