Ireland Through Birds
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Leitrim Guardian 2023 is the the 55th edition of one of the longest running county-focused publications in Ireland. The journal provides an annual snapshot of life in Leitrim.

Sports star Cooper only knows what he’s doing in the baseball diamond. Bad boy Nate is one misstep away from a life of crime. Prom queen Addy is holding together the cracks in her perfect life.
And outsider Simon, creator of the notorious gossip app at Bayview High, won’t ever talk about any of them again. He dies 24 hours before he could post their deepest secrets online. Investigators conclude it’s no accident.

The hilarious sequel to the international bestseller The Day the Crayons Quit!

NAMED A MOST ANTICIPATED TITLE FOR 2020 BY THE FINANCIAL TIMES, THE IRISH TIMES & RTE’Extraordinary… A book of wicked intelligence and tender heart.’ – Max Porter, author of LannyIt’s 2008, and the Celtic Tiger has left devastation in its wake. Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees.
Facing a devastating choice that risks their livelihood, if not their lives, their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes’ position as one of Ireland’s most audacious, nuanced and insightful young writers.

Description
‘Every voice raised against racism chips away at its power. We can’t afford to stay silent. This book is an attempt to speak’The book that sparked a national conversation.
Exploring everything from eradicated black history to the inextricable link between class and race, Why I’m No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE SUNDAY TIMES BESTSELLERWINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018FOYLES NON-FICTION BOOK OF THE YEARBLACKWELL’S NON-FICTION BOOK OF THE YEARWINNER OF THE JHALAK PRIZELONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONLONGLISTED FOR THE ORWELL PRIZESHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

In this richly illustrated journey, Manchán Magan traces the forgotten presence of the Irish in Iceland; monks and migrants, storytellers and shapeshifters who helped shape a land we’ve long imagined as purely Norse.
Through language, lore, place names, DNA, and landscape, Magan uncovers the traces of Gaelic life woven through Iceland’s sagas and stones. With curiosity and care, this book reveals how two island nations, once deeply connected, share more than we’ve been taught to remember. Ireland in Iceland offers a new perspective on ancestry, belonging, and the lasting traces of culture carried across oceans.
Ireland in Iceland is the second in a series of illustrated books Manchán is publishing with Mayo Books Press, exploring cultural similarities and resonances between Ireland, India, Iceland, and the Aboriginal cultures of Australia. Ireland in Iceland is illustrated by Aodh Ó Riagáin/ Oreganillo.

This book will be shipped once available on release (Approx 25th August)
LeafLight Moon – a novel of prehistoric Ireland
Sligo, 4000 BC: Closely researched and set in the rich prehistoric landscapes of Sligo and the north-west, LeafLight Moon tells the story of the fateful encounter between Ireland’s first farmers and the hunter-gatherers of the Hearth of MotherMountain – the mountain we call Knocknarea.
For thousands of years, the hunter-gatherers of MotherMountain lived close to the earth, moving through the landscape with the seasons, following her rhythms and keeping her ways. They heard stories of a people who chopped down the greenwood and trapped animals behind fences, but these were only rumours, shiver-tales to share around the fire on long summer nights – until the day when two strangers arrived in a small boat, their skin as pale as downy-birch,
their eyes as dark as the eyes of seals…

Somebody puts their cock in you and it’s the end of the world. Somebody stops putting their cock in you and it’s the end of the world. Here is a novel about mothering, wolves, bicycles, midwifery, post-apocalyptic feminism, gold, hunger and hope.
It’s about an underachieving millennial, a retired midwife and an Irishman who set out from London after the end of the world to cycle to a sanctuary in the southern Alps. It’s about the porousness of the female bodily experience, the challenges of being an empiricist with a sample size of one, what’s worth knowing, what’s worth living, and the necessity of irrationality. It’s about the fact that the world ends all the time, and it’s about what to try to do next.

Sometime in the future a new intelligent life form, the Ungula, has evolved. They discover aliens buried in the Arctic who turn out to be Humans. After a miraculous revival following a visit to the Lours Shrine, the Ungula and Humans embark on an integration project. Barbara emerges as an Ungula spokesperson and Father Myles as the Human spokesperson.
Can Humans and Ungula live in harmony? They live together in peace for several months, due mainly to the fact that the Ungula are a mild species and Humans are a small group of just over 100. Most of the humans are content to try and adapt. But as we all know well, there is always one.


The brand-new novel from million-copy bestseller and national treasure Graham Norton – a dazzling, decades-sweeping story about love, bravery and what it means to live a significant life.
Always on the periphery, looking on, young Frankie Howe was never quite sure enough of herself to take centre stage – after all, life had already judged her harshly. Now old, Frankie finds it easier to forget the life that came before. Then Damian, a young Irish carer, arrives at her London flat, there to keep an eye on her as she recovers from a fall.
A memory is sparked, and the past crackles into life as Damian listens to the story Frankie has kept stored away all these years. Travelling from post-war Ireland to 1960s New York – a city full of art, larger than life characters and turmoil – Frankie shares a world in which friendship and chance encounters collide. A place where, for a while, life blazes with an intensity that can’t last but will perhaps live on in other ways and in other people.
But as Frankie’s past slowly emerges, her spirit and endurance are revealed as undeniable . . .

Ireland is a strikingly different country now to the one it was in the mid-1990s. Dramatic economic, social and cultural changes, including the Celtic Tiger boom and increasingly secular debate about abortion, the status of women and same-sex marriage underlined the scale of the transformation. The new diversity of the population and literary and musical prowess also revealed a country experiencing rapid alteration.
The road to peace – that saw an end to war in Northern Ireland and culminated in the first visit to southern Ireland of a reigning British monarch in 100 years – illuminated the new Anglo-Irish dynamic. Explosive revelations about deep betrayals from the past destroyed the credibility of the traditionally powerful Catholic Church. And in the wake of the 2008 financial crash, Ireland rebounded and rebuilt to great success, but remained plagued by health and housing failures.
Economic recovery, the end of civil war politics, ever closer European involvement and Anglo-Irish highs were followed by Brexit lows and increasing talk of Irish unity. There is much to open people’s eyes in this riveting account of contemporary Ireland. As the Republic enters its second century of independence, and the North continues to grapple with the legacy of the Troubles, Diarmaid Ferriter makes historical sense of post-1990s Ireland, and what lies in the darkest corners of its archives.

At a crossroads in her life, Gráinne Lyons set out to travel Ireland’s west coast on foot. She set a simple intention: to walk in the footsteps of eleven pioneering Irish women deeply rooted in this coastal landscape and explore their lives and work along the way. As a Londoner born to Irish parents, she also sought answers in her own identity.
As Gráinne heads north from Cape Clear Island where her great-grandmother was a lacemaker, she considers Ellen Hutchins, Maude Delap, Edna O’Brien, Granuaile and Queen Maeve among others from her unique perspective. Their homes – in places that are famously wild and remote – are transformed into sites of hope, purpose, opportunity and inspiration. Walking through this history, her journey reveals unexpected insight into emigrant identity, travelling alone, femininity and the trappings of an ‘ideal’ life.
Against the backdrop and power of this great ocean, Wild Atlantic Women will inspire the twenty-first-century reader and walker to keep going, regardless of the path.

Leading journalist Matt Cooper examines the key players behind the scenes of Irish property ownership – who really controls the valuable land where we live, work and play and how did they acquire it? Who are the new foreign investors and why are they buying property and land in Ireland? What does it mean for ordinary citizens when the ownership of shopping centres, wind farms, forestry and data centres comes from outside? Comprehensively researched and filled with riveting detail, this compelling account of the Irish property landscape is about our offices, hotels and pubs and the power of those wealthy enough to accumulate these properties. This eye-opening book is a must-read for anyone interested in Ireland and who really owns it. ‘It’s not possible to understand Irish society, politics or the economy without knowing who owns land and property.

Wildlife expert Eanna Ni Lamhna and artist Brian Fitzgerald explore the WONDERS OF THE WILDNature has lots of hidden treasures. From rabbits eating their own poo to what feeds on humans and how caterpillars burst! Discover animal-eating plants, what rises from the dead, sealife that glows in the dark, and many more weird and wonderful surprises from nature.