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The Turning Tide is a hymn to a sea passage of world-historical importance. Combining social and cultural history, nature-writing, travelogue and politics, Jon Gower charts a sea which has carried both Vikings and saints, invasion forces and furtive gun-runners, writers, musicians and fishermen. The divided but interconnected waters of the Irish Sea – from the narrow North Channel through St George’s Channel to where the Celtic sea opens out into wide Atlantic – have a turbulent history to match the violence of its storms.
Jon Gower is a sympathetic and interested pilot, taking the reader to the great shipyards of Belfast and through the mass exodus of the starving during the Irish Famine in coffin boats bound for America. He follows the migrations of working men and women looking for work in England and tells the tales of more casual travellers: sometimes seasick, often homesick too. The Irish Sea is also a place with an abundant natural history.
The rarest sea bird in Europe visits its coasts in summer while the rarest goose wings in during winter. Jon Gower navigates waters teeming with life, filled with seals and salt-tanged stories and surveyed by seabirds. At a time when Irish affairs feel like they are building towards an historic crescendo, he tells the story of the people who have crossed these waters, and who live on their shores.
Lyrically written and deeply considered, this is a remarkable and far-reaching book.
The follow-up to The Pawnbroker’s Reward, his bestselling 2021 novel, Declan O’Rourke’s second instalment sees the inhabitants of Macroom and its surroundings landed squarely into the eye of the storm that is 1847, during Ireland’s Great Famine. After the landslide of their descent through 1846, Padraig and Cait Ua Buachalla awaken on the outskirts of Macroom to a new year fraught with the worst of weather, worse luck and a new level of problems that compound their desperate struggle to survive. In the heart of town, in the absence of her husband the pawnbroker, Paulellen Creed struggles to stay afloat.
Follow this heart-wrenching story of tragedy and human beauty as, through the voices of Macroom in 1847, we hear a whisper from oblivion.
A Nation Is Born celebrates a formative period in the history of the Irish state: the fifteen years during which we emerged from the rubble of wars and violence and set up as a fledgling country while establishing a diplomatic presence on the world stage.
The photos presented here have been painstakingly hand-colourised by photographer John O’Byrne, infusing energy into this often-overlooked time: the election of the country’s first governments; the mammoth Shannon hydroelectric scheme; a stunning Eucharistic Congress; scenes of cottage industry and rural Irish life; and ending with the uncertain rumblings of war in Europe.
With over 150 photographs gathered from archives around the country, accompanied by insightful and accessible commentary by historian Michael B. Barry, A Nation Is Born brings a fresh perspective on our history and our past to life in a compellingly real way.
John Breslin and Sarah-Anne Buckley are back with the third installment of their record-breaking Old Ireland in Colour series. The authors have uncovered yet more photographic gems and breathed new life into them in glorious colour.
Brendan Behan wrote over one hundred articles for Irish newspapers between 1951 and 1956 as he rose to international fame, with most of them written in a weekly column in the Irish Press. The articles reveal a serious writer capable of great comic set pieces and amusing yarns as well as thoughtful reflections on cultural and historical issues. They reflect his passion for working-class Dublin life and the history and folklore of the city, as well as his travels in Ireland and Europe.
This edition gathers all the articles and essays that Behan published in newspapers from 1951 to his death in 1964. Selections of Behan’s articles have been published since his death (Hold Your Hour and Have Another, 1965; After the Wake, 1981; The Dubbalin Man, 1997). However, there has been no complete edition of Behan’s prose, and no edition has provided a detailed biographical and literary introduction, explanatory notes and suggestions for further reading.
This volume is intended for publication during the centenary celebrations of Behan’s birth in 2023, with his birthday being 9 February.
Skulls, heads, hands, height, legs, sex organs, blood, brains, stomachs, ears and corpses – discover Irish history through the prism of the body. From the brutal beheading of the 25-year-old, red-headed Clonycavan Man some 2,000 years ago, and the rich vein of information that has been preserved in his ‘bog body’, to the ancient skulls stolen from islands off Ireland’s west coast believed to be those of giants – here medical historian Dr Ian Miller brings readers on a uniquely entertaining journey through Irish history.
Encounter the famous scribes, including St Patrick, who preserved our knowledge of ancient Ireland by hand. Discover the fears of excessive tea drinking that were once such a great cause for concern on this isle. Meet the doctors who revolutionised Irish medicine in the 19th century – along with the gruesome bodysnatching that accompanied it. Here, fact and folklore intertwine to take you on a fascinating journey through Irish history as you’ve never experienced it before.
It is almost one hundred years since the Sam Maguire Cup was first awarded to the winner of the All-Ireland Football Championship, the pinnacle of sporting ambition for generations of Gaelic footballers. Here, we celebrate all the heartbreak and glory of the first fifty years of its history. Since it was first presented in 1928, to Kildare, who beat Cavan by a single point, the Sam Maguire has become one of the most treasured pieces of silverware in Irish sport.
Dermot Reilly and Colm Keys have created an absorbing record of the first fifty years of Sam. Thrilling accounts of the run-up to each final and the finals themselves are included, along with the names and home clubs for every player to have graced the field in those All-Ireland finals. A ‘must’ for every GAA enthusiast, Chasing Sam Maguire is an enthralling account of the agony and the ecstasy of the pursuit of Ireland’s biggest sporting prize.
The work of over a hundred stone carvers is analysed here for the first time, over seventy of them identified by signature or initials.
Richly illustrated, this book is a valuable resource not just for the people of Roscommon but a template for memorial study in other counties.
Every now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .
For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan – from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.
Editor Christopher Reid draws from both public and private archives to reveal this story in the poet’s own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney’s joyous mastery of language is as evident here as it is in any of his writing for a literary readership.
Listening to Heaney’s voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.
This major illustrated study investigates farmhouse and cabin furniture from all over the island of Ireland. It discusses the origins and evolution of useful objects, what materials were used and why, and how furniture made for small spaces, often with renewable elements, was innate and expected. Encompassing three centuries, it illuminates a way of life that has almost vanished. It contributes as much to our knowledge of Ireland’s cultural history as to its history of furniture. …