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An Ongoing Mission: this Journal will continue the ambition of Sligo Field Club, formerly Sligo Antiquarian Society, and now in its eightieth year, to protect Sligo’s rich archaeological and historical heritage. The Journal provides a platform for authors to record and analyse the rich heritage of Sligo and the greater North Connacht region across a wide range of topics.
Using a wide array of sources and interviews, Michael Farry has produced a balanced, comprehensive and absorbing study of county Sligo from 1912 when the Irish Party controlled all political affairs to 1922–3 when the county saw considerable action during the civil war. This wide-ranging study offers fascinating new insights into the Irish Revolution and details how the county moved from being one of the most loyal to the Irish Party to one of the best-organised Sinn Féin counties. Farry is especially good on how both organised unionism and the strong labour movement in Sligo reacted to the rise of Sinn Féin, its election victory in 1918 and the subsequent Truce, Treaty and civil war. His use of the recently released BMH accounts as well as British military sources results in a richly detailed examination of the IRA campaign and the British reaction. It examines the superior attitude of the IRA towards ‘mere politicians’ during the Truce period and explains why Sligo saw so much conflict during the civil war.
In the 1800s, as Britain became the world’s most powerful industrial empire, Ireland starved. The Great Famine fractured long-held assumptions about political economy and ‘civilisation’, threatening disorder in Britain. Ireland was a laboratory for empire, shaping British ideas about colonisation, population, ecology and work.
In Rot, Padraic Scanlan reinterprets the history of this time and the result is a revelatory account of Ireland’s Great Famine. In the first half of the nineteenth century, nowhere in Europe – or the world – did the working poor depend as completely on potatoes as in Ireland. To many British observers, potatoes were evidence of a lack of modernity among the Irish.
However, Ireland before the famine more closely resembled capitalism’s future than its past. While poverty before and during the Great Famine was often blamed on Irish backwardness, it did in fact stem from the British Empire’s embrace of modern capitalism.
Uncovering the disaster’s roots in Britain’s deep imperial faith in markets and capitalism, Rot reshapes our understanding of the Famine and its tragic legacy.
Beidh Tú Alright is a powerful nod to the resilience of the human spirit, the importance of cultural heritage, and the joy of lifelong learning. McHugh’s personal story will inspire both those who have yet to start their Irish language journey and those who may have once given up.
Manchán Magan is fascinated by words, particularly Irish words, and their connections to the natural world. Having enjoyed great success with the bestselling Tree Dogs, Banshee Fingers and Other Irish Words for Nature, he now brings his infectious wonder and enthusiasm for the Irish language to an even younger audience with this board book featuring simple translations for favourite animals, birds, fish and insects. The accompanying stunning black-line illustrations will transfix even the littlest reader.
Teach your little one a cúpla focail from the get-go.
Yet, as he set off on his pilgrimage, he found he wasn’t alone. Accompanying him on his 126-kilometre walk in theheat of the Spanish sun was the ghost of his long-dead father, a distant and aloof figure whom he lost when he was only twenty-two years old. Here, with searing honesty and beautifully wrought prose, Harding examines how this man, who had diedalmost half a century ago, could have had such a profound effect on the writer’s life.
Dancer Edwina Guckian celebrates the folk traditions and calendar customs of the Ireland in which she grew up in rural County Leitrim.
As a child Edwina’s Grandfather brought her to House Dances where he played the fiddle and she watched dancers in hobnail boots ‘knock sparks from the flagstones’ on traditional cottage stone floors. Half-doors were taken down from their hinges to dance on when the floors were rough or uneven.
Edwina too became ‘a great one for knocking sparks’ from the flagstones with her own dancing. Here she brings to life for readers of all ages the lovely colourful customs, fun and enchantments of her childhood. Dressing up for Halloween, Wren Day and Brigid’s Day, going to communal bonfires at the crossroads, remembering the harvest ‘meitheal’ and hilltop berry picking on Bilberry Sunday.
Edwina vividly brings to life a world of Strawboys, Mummers and Biddy Boys, Crossroads Dances, Cake Dances, Nollaig na mBan feasts, Easter treats and many more year round Irish folk traditions.
Join Edwina as she dances through the Celtic Calendar Year and the importance of ancient Quarter Day customs and old-world Fire Festival traditions at Samhain, Imbolc, Bealtaine and Lughnasa. Every page of Sparks from the Flagstones is joyfully illustrated by Connemara-based artist Andrea Rossi.
Skulls, heads, hands, height, legs, sex organs, blood, brains, stomachs, ears and corpses – discover Irish history through the prism of the body. From the brutal beheading of the 25-year-old, red-headed Clonycavan Man some 2,000 years ago, and the rich vein of information that has been preserved in his ‘bog body’, to the ancient skulls stolen from islands off Ireland’s west coast believed to be those of giants – here medical historian Dr Ian Miller brings readers on a uniquely entertaining journey through Irish history.
Encounter the famous scribes, including St Patrick, who preserved our knowledge of ancient Ireland by hand. Discover the fears of excessive tea drinking that were once such a great cause for concern on this isle. Meet the doctors who revolutionised Irish medicine in the 19th century – along with the gruesome bodysnatching that accompanied it. Here, fact and folklore intertwine to take you on a fascinating journey through Irish history as you’ve never experienced it before.
Ireland is a strikingly different country now to the one it was in the mid-1990s. Dramatic economic, social and cultural changes, including the Celtic Tiger boom and increasingly secular debate about abortion, the status of women and same-sex marriage underlined the scale of the transformation. The new diversity of the population and literary and musical prowess also revealed a country experiencing rapid alteration.
The road to peace – that saw an end to war in Northern Ireland and culminated in the first visit to southern Ireland of a reigning British monarch in 100 years – illuminated the new Anglo-Irish dynamic. Explosive revelations about deep betrayals from the past destroyed the credibility of the traditionally powerful Catholic Church. And in the wake of the 2008 financial crash, Ireland rebounded and rebuilt to great success, but remained plagued by health and housing failures.
Economic recovery, the end of civil war politics, ever closer European involvement and Anglo-Irish highs were followed by Brexit lows and increasing talk of Irish unity. There is much to open people’s eyes in this riveting account of contemporary Ireland. As the Republic enters its second century of independence, and the North continues to grapple with the legacy of the Troubles, Diarmaid Ferriter makes historical sense of post-1990s Ireland, and what lies in the darkest corners of its archives.