Irish Fiction

  • Milkman

    Milkman

    12.50

    WINNER OF THE MAN BOOKER PRIZE 2018 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2019 SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2019 SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2019 ‘Blazing.’ Daily Telegraph ‘Outstanding.’ New Statesman ‘A triumph.’ Guardian ‘Utterly compelling.’ The Irish Times ‘The best Booker winner in years.’ Metro

    In an unnamed city, where to be interesting is dangerous, an eighteen-year-old woman has attracted the unwanted and unavoidable attention of a powerful and frightening older man, ‘Milkman’. In this community, where suggestions quickly become fact, where gossip and hearsay can lead to terrible consequences, what can she do to stop a rumour once it has started? Milkman is persistent, the word is spreading, and she is no longer in control …

  • Oona

    Oona

    14.95
    Description

    What is the sound of a voice that is alienated from itself? How can one truthfully represent the creative process of an artist? Oona, an artist-in-the-making, lives in an affluent suburban culture of first-generation immigrants in New Jersey where conspicuous consumption and white privilege prevail, and the denial of death is ubiquitous. The silence surrounding death extends to the family home where Oona is not told while her mother lies dying of cancer upstairs. Afterwards, a silence takes hold inside her: her inner life goes into a deep freeze.

    Emotionally hobbled, she has her first encounters with sex, drugs and other trials of adolescence. Lyons’ first novel gives voice to a female character on her fraught journey into adulthood and charts her evolution as an artist, as her adolescent dissociation is thawed through contact with the physical world, the materials of painting and her engagement with Irish community, culture and landscape. Set during the era of the Celtic Tiger and its aftermath, this is a resonant story conveyed in an innovative form.

    Written entirely without the letter ‘o’, the tone of the book reflects Oona’s inner damage and the destruction caused by hiding, omitting and obliterating parts of ourselves.

  • Night Boat to Tangier

    Night Boat to Tangier

    12.50
    Description
    LONGLISTED FOR THE BOOKER PRIZEIRISH TIMES NUMBER ONE BESTSELLERSHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDSA BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB’A true wonder’ Max Porter’Beautifully written’ GuardianIt’s late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder – can it be put together again?
  • A Traveller at the Gates of Wisdom

    A Traveller at the Gates of Wisdom

    14.95
    Description
    Some stories are universal. Some are unique. They play out across human history, and time is the river that flows through them.

    This story starts with a family. For now, it is a father and a mother with two sons. One with his father’s violence in his blood.

    One with his mother’s artistry. One leaves. One stays.

    They will be joined by others whose deeds will determine their fate. It is a beginning. Their stories will intertwine and evolve over the course of two thousand years.

  • A Line Made By Walking

    A Line Made By Walking

    12.50

    SHORTLISTED FOR THE GOLDSMITHS PRIZE 2017
    ‘When I finished Sara Baume’s new novel I immediately felt sad that I could not send it in the post to the late John Berger. He, too, would have loved it and found great joy in its honesty, its agility, its beauty, its invention. Baume is a writer of outstanding grace and style. She writes beyond the time we live in.’ Colum McCann

    Struggling to cope with urban life – and with life in general – Frankie, a twenty-something artist, retreats to the rural bungalow on ‘turbine hill’ that has been vacant since her grandmother’s death three years earlier. It is in this space, surrounded by nature, that she hopes to regain her footing in art and life. She spends her days pretending to read, half-listening to the radio, failing to muster the energy needed to leave the safety of her haven.

    Her family come and go, until they don’t and she is left alone to contemplate the path that led her here, and the smell of the carpet that started it all. Finding little comfort in human interaction, Frankie turns her camera lens on the natural world and its reassuring cycle of life and death. What emerges is a profound meditation on the interconnectedness of wilderness, art and individual experience, and a powerful exploration of human frailty.

  • Handiwork

    Handiwork

    12.50

    In this contemplative short narrative, artist and acclaimed writer Sara Baume charts the daily process of making and writing, exploring what it is to create and to live as an artist. A short, elegant piece that encompasses images and is itself a significant artifact, handiwork will offer more of the beautiful prose and extraordinary versatility you’ve come to expect from Sara Baume. ‘This little book is a love-child of my art and writing practices, or a by-product of novels past and coming. It’s about the connection between handicraft and bird migration, as well as simply the account of a year spent making hundreds of small, painted objects in an isolated house. It will be my third book with Tramp Press, and I’m thrilled that they continue to support my endeavours.’ – Sara Baume