Showing 65–80 of 102 results
Diplomat Jack Lennon is posted to Spain in 2008 as the wheels are coming off the Spanish – and Irish – property boom. On the trail of a missing Irish government minister Jack encounters a coterie of property magnates, former celebrities, desperate bankers the remnants of Ireland’s ‘wine-geese’ and Franco’s Spain.
From the Number 1 bestselling author of Our Little Cruelties and Skin DeepSally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died. Now Sally is the centre of attention, not only from the hungry media and police detectives, but also a sinister voice from a past she cannot remember.
As she begins to discover the horrors of her childhood, Sally steps into the world for the first time, making new friends and big decisions, and learning that people don’t always mean what they say. But who is the man observing Sally from the other side of the world? And why does her neighbour seem to be obsessed with her? Sally’s trust issues are about to be severely challenged . . .
‘I loved every damn second of it’ Lisa Jewell
‘Liz Nugent has outdone herself. Twisted and twisty, dark and gripping, no one is going to forget Sally Diamond in a hurry!’ Graham Norton
‘Terrific’ Ian Rankin
‘So, so good! Sally gets under your skin and worms her way into your heart. I didn’t want it to end’ Jane Fallon
‘I’m lost in admiration for Liz and her writing . . . vivid, pacy, taut but so very moving’ Marian Keyes
**NB: This title will only be shipped after its release date of 18th September**
For fans of Sally Rooney and Megan Nolan comes a remarkable new Irish debut about growing up and moving backwards.
What do you do when you’ve ruined your life? You go home to your mother, if you’re lucky enough still to have one. Saoirse Maher wouldn’t recommend it. Leaving home wasn’t supposed to be temporary. When she moved to London, Saoirse was leaving Ireland behind for good, and with it her messy, broken family.
But it turns out that starting again isn’t as easy as she imagined, and when her five-year relationship goes south, Saoirse finds herself out of options. And so here she is, trudging back to her mother Máire’s house up a side road on the outskirts of Irish civilisation. Except the world she comes back to is nothing like the one she left behind. Her mother has a new family, and everyone else seems to be moving on.
But between the drinking, drugs, and an entirely healthy, not-problematic-at-all-thanks relationship with Charlie, there’s plenty to distract her. Don’t look too closely, and everything’s fine. Saoirse is just fine.
After the tragic death of her mother in a car accident and the ending of a coercive relationship with fiancé Donal, a new city and a new job offer Eimear Martin a fresh start – an opportunity for healing and renewal.
At first, her new life in Dublin seems perfect, but her fragile peace is shattered when unsettling and bewildering events begin to occur.
A threatening letter and damage to her property are only the start of the dark web closing in. Her life and sanity are in danger.Someone is determined to isolate her. Someone who is a master manipulator. Everywhere she turns, she encounters dead ends and rejection – even from those she considered friends.
Terrified by the malignant presence pursuing her, Eimear is forced to find new allies and fight back.
Deena Garvey disappeared in 2004. She left behind a daughter and a sister. Deena’s daughter grows up in the country.
She learns how to hunt, when to seed the garden, how to avoid making her father angry. Never to ask about her absent mother. Deena’s sister stays stuck in the city, getting desperate.
She knows the man responsible for her sister’s disappearance, but she can’t prove it. Not yet. Over fourteen years, four hundred miles apart, these two women slowly begin to unearth the secrets and lies at the heart of their family, and the history of power and control that has shaped them both in such different ways.
But can they reach each other in time? And will the truth finally answer the question of their lives: What really happened to Deena Garvey?
Description
LONGLISTED FOR THE EDGE HILL SHORT STORY PRIZE’One of the best collections you’ll read this year’ Sunday Times’Wild, witty stories . . .
Exhilarating’ ObserverIn this rapturous story collection we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories affirm Kevin Barry as one of the world’s most accomplished and gifted writers, and show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.
Barry’s lyric intensity, the vitality of his comedy, and the darkness of his vision recall the work of masters of the genre like Flannery O’Connor and William Trevor, but he has forged a style which is patently his own.
WINNER OF THE NERO BOOK AWARD FOR FICTION 2023WINNER OF AN POST IRISH BOOK OF THE YEAR 2023SHORTLISTED FOR THE BOOKER PRIZE 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024SHORTLISTED FOR THE KERRY GROUP NOVEL OF THE YEAR 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M. ‘A tragicomic triumph. You won’t read a sadder, truer, funnier novel this year’ GuardianThe Barnes family are in trouble.
Until recently they ran the biggest business in town, now they’re teetering on the brink of bankruptcy – and that’s just the start of their problems. Dickie and Imelda’s marriage is hanging by a thread; straight-A student Cass is careening off the rails; PJ is hopelessly in debt to the school bully. Meanwhile the ghosts of old mistakes are rising out of the past to meet them, but everyone’s too wrapped up in the present to see the danger looming .
‘Compulsive reading. Compassionate, lyrical and full of devilment’ Louise Kennedy, author of Trespasses
1973. In a close-knit community on Ireland’s west coast, a baby is found abandoned on the beach.
Named Brendan Bonnar by Ambrose, the fisherman who adopts him, Brendan will become a source of fascination and hope for a town caught in the storm of a rapidly changing world.
Ambrose, a man more comfortable at sea than on land, brings Brendan into his home out of love. But it’s a decision that will fracture his family and force him to try to understand himself and those he cares for.
Bookended by the arrival and departure of a single mesmerizing boy, Garrett Carr’s The Boy From the Sea is an exploration of the ties that make us and bind us, as a family and community move irresistibly towards the future.
Lorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.
Could she not see there was death about him? Could he not see there was death about her?
Paddy worked the border, a place of road closures, hijackings, sudden death.
Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.
There’s illicit cash coming across the border and Brendan’s backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn’t care about getting caught.
For the Bureau crew getting caught is only the start of the game.
Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She’s cast as a minx, a criminal’s moll but she’s bought a shotgun.
And she’s bought a grave.
Outside the filthy window, the city rushes by. But up in the flat, there is only Eily and Stephen, 19 and 40. Only their bodies, the churning bedsheets.
Pagodas of takeaway boxes. The total obsession of new love. 18 months later, and the flat feels different.
Their world is merging with the common place. The scars of the past are intruding. Stray emotions you’ve neglected to secure.
Ambitions and secrets still to confess. And now Gracie, Stephen’s 17-year-old daughter, is about to arrive. The city changes its face.
‘Domestic noir at its finest.’ I PAPER
‘The Cleaner is a masterclass in tension.‘ – JENNIE GODFREY, Sunday Times bestselling author of The List of Suspicious Things
‘Beautiful, dark, visceral, truly spellbinding.‘ – ANDREA MARA, Sunday Times No. 1 bestselling author
‘Taut, twisty and beautifully atmospheric.‘ – KIA ABDULLAH, author of Waterstones Thriller of the Month Those People Next Door
It’s not dust she’s looking for.
It’s dirt.
Esmie is supposed to be invisible. Just a cleaner with a foreign accent that no one quite has time to place.
Her uniform of leggings and a duster allows her to explore the homes of the wealthy, unseen; an outsider creeping around the edges of privilege.
But as she sweeps through the exclusive Woodlands gated neighbourhood, cleaning is the last thing on her mind. Treading silently over the polished wooden floorboards and cloud-soft carpets, Esmie gathers up the mess of broken marriages, quiet deceptions and careless failures. She tucks away their fragments, keeping them safe.
It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why. Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her.
The man to whom she is still married is denying her access to her children, and while the legalisation of divorce might be just around the corner, Colette finds herself caught between her old life and the freedom for which she risked everything. Desperate to see her children, she enlists the help of Izzy, a housewife and mother of two, and the women forge a friendship that will send them on a spiralling journey – one toward a path of self-discovery, and the other toward tragedy. Brilliantly observed from a sharp new literary talent, The Coast Road is a novel about a closed community and the consequences of daring to move against the tide.
Home is where the heart is but what if that home has been erased?
Discharged from a psychiatric ward after an apparent murder-suicide perpetrated by her partner Malachy, feared drowned, Helena is driven to the beautiful peninsula of Islandmagee, north of Belfast, by new friends Jer and Nora McCabe. There she finds the house she shared with Malachy has been cleared off the face of the earth . . . or so she claims.
Maverick TV producer and investigative journalist Jer wonders whether Helena is victim or villain, but tries to help for the sake of his vulnerable wife who has befriended this unsettling woman.
Amid echoes of the infamous Islandmagee witch trial, Jer and his family are drawn into a disturbing chain of events which reach their climax on an Islandmagee hillside on Halloween night.
Description
What a thing of wonder a mobile phone is. Six ounces of metal, glass and plastic, fashioned into a sleek, shiny, precious object. At once, a gateway to other worlds – and a treacherous weapon in the hands of the unwary, the unwitting, the inept.
The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster.
George, the patriarch, is a stalwart of television interviewing, a ‘national treasure’ (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen.
Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant. Along the way they will learn how volatile, how outraged, how unforgiving the world can be when you step from the proscribed path.
Description
Meet Meg Monroe, the fixer. If you want to get rid of someone you call Meg. (No, not like that – this would be a very different book!) Using her brilliant intuition, people reading skills and with masterful manipulation Meg befriends her mark and tells them what they want to hear, using it to convince them to see the error of their ways.
She’s never once found a case she can’t handle – affairs, clingy former-friends, useless employees and exes that can’t take the hint. But when a blast from the past turns up on Meg’s doorstep, will she get caught in her own web of lies?